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Wrath of Willie Bryant (Prod. iLLa Truth)

from Author by John Sha

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about

With a strong intro and outro from the great Black American author, James Baldwin, Wrath of Willie Bryant is story unlike any other on this project. Named after his great-Grandfather Willie Bryant, a victim of the Tuskegee Alabama Syphilis experiments, John Sha delivers a strong message about his feelings on the state of black people in America.

lyrics

A nigga strong but I'm weak; my heart light but it's deep; smoke sour but it's sweet; you really ain't never met a nigga like me; smartest in the school with a class full of white kids; That's why i never been caught selling white shit; iq one fifty something but that's light shit; probably woulda really been a doctor as a white kid; i probably shouldn't say that; lean on me all i gotta do is stay black; realest thing Ross ever wrote was in a Maybach; i was out looting, i wrote this on the way back; i wanna be a good dad more than a rich nigga; hope you young bucks stop fucking with bitch niggas; shoes won't fit lil nigga cause my dick bigger; since the barbershop been a Tommy in this;

THERE'S A TOMMY IN HIS HILFIGER; shut this bitch up fore i really have to kill niggas; you ain't protesting you gon probably need a weapon; do it for the culture you'll be prouder of the sentence; limp like a pimp when I'm talking to the youth; racism ends when I'm talking over truth; black superman look I'm walking in the booth; black lois lane got the paper and the scoop; i was sitting in a light blue Cadillac coupe; nigga in the front seat taught me how to move; i ain't never know nothing bout nothing can you prove; life is like chess touch a piece you better move; best thing to do pay attention to the school; the shit they don't teach you is the shit you need to do; catch you in the jaw you won't take another chew; when you go against money ain't ish you can lose

credits

from Author, released October 21, 2020

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John Sha New York, New York

John Sha was born in Queens and raised in the Lower East Side. He uses a unique flow and storytelling style to bring gangstas to the Opera.

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